Does Dialogue have you stumped?
Posted by solitaireparke
Today I came across some great tips concerning dialogue from a regular contributor to CreateSpace.com, Maria Murnane. (www.mariamurnane.com) She writes romantic comedies and provides consulting services on book publishing and marketing. So I thought I’d share what I thought were some helpful pointers.
- Look who’s talking.
A common problem is that the characters all sound the same, so the readers have a hard time telling them apart. As a result, the readers get confused, annoyed, distracted, or all of the above – none of which you want to happen. If you want your readers to become invested in your characters, you need to bring those characters to life – and dialogue presents a wonderful opportunity to do just that! So when your characters speak, have them make an impression. Are they sarcastic? Jaded? Bitter? Happy? Sad? Pessimistic? Optimistic? Loyal? Funny? Do they use their hands a lot when they speak? Do they lower their voice when they gossip? Do they chew gum? Do they have a particular gesture or body tic that gives away what they’re feeling? You may have heard the expression “show, don’t tell,” and this is a great example of that. Don’t tell us what the characters are like, let them show us.
- Does your dialogue sound realistic?
When I read a book with dialogue that doesn’t ring true, instead of getting sucked into the story I find myself thinking, “Who talks like that? No one would say that.” You want your readers focused on the story, not on the problems with your writing. A good way to avoid having unrealistic dialogue in your own writing is to read it out loud. This may sound a little crazy, but it works! After awhile you will be writing the way people actually talk and your dialogue will be realistic. You want to create strong, believable characters that your readers will care about, so take the time to give them lines that will allow that to happen. With every conversation you write, ask yourself “Does this sound believable?” That might seem daunting at first, but over time it will get easier. It will be well worth the effort. Your readers – and your characters – will be grateful.
- Turn the beat around.
A “beat” is a description of the physical action a character makes while speaking, and good beats can bring your characters to life and make your dialogue pop right off the page. Beats can also help you show your readers instead of telling them. (Misuse of show, not tell is a common mistake many first-time authors make. Remember that readers don’t like to be told what to think
A) “I told you, I’m not going!” John shouted, furious.
B) John slammed his fist on the table, his nostrils flaring. “I told you, I’m not going!”
John is clearly angry. But in example A, we know this because we are told so.
In example B, we know this because we are shown it.
A) “You’re really not going?” Karen said, incredulous.
B) Karen’s jaw dropped. “You’re really not going?”
We know Karen is incredulous, but why do we know this?
In A, we’re told what to think, and in B, we’re left to decide on our own what to think.
Well-placed beats make your writing richer, fuller, and better. And good writing, like good teaching, engages your readers and lets them draw their own conclusions.
- Use contractions in dialogue.
Well written dialogue draws you into the story and makes you feel like the people speaking are real. So to write good dialogue, use language that sounds the way people actually talk. And in English, that includes contractions. A lot of them. Without contractions, people sound more like robots than real people. (Did not becomes didn’t; Is not becomes isn’t; Do not becomes don’t; I am becomes I’m; He is becomes he’s, etc.) Contractions aren’t often used in formal writing, but they are for informal conversation, especially in the United States. So perhaps you should review your own dialogue to see if it passes the robot test.
- Dialogue doesn’t necessarily impact the plot, but it impacts character development, which is just as important.
Once you have completed your novel, read it over again. You may need to tweak the dialogue a bit, especially in the early chapters. Your characters have probably evolved, and some of the early lines may no longer fit their personalities. Good stories do a wonderful job of creating characters who are like real people to the audience, and that’s what you want to do with your manuscript. So when you’re finished, go back and read that dialogue with fresh eyes. Do you think it rings true throughout for each of your characters? If it doesn’t, change it! That’s the fun thing about being the author – it’s all up to you.
Have any tips that you’d like to share? I’d love to hear them.
About solitaireparkeSolitaire Parke is an author of Science Fiction/Urban Fantasy, Poetry and Larger World books. He is a lover of dragons, the poetry of Edgar Allan Poe, and has a large collection of science fiction books and movies. After becoming an award winning photographer and earning a degree in music theory, he worked in graphic and web design, but he always returns to writing. When he is not writing, you can find him reading, watching a sci-fi television show or movie, or researching a new “techno gadget” on the internet. He now resides in Arizona with his family and is the proud owner of Tairobi, his Manx cat, who has been an enormous help in the writing process by lying on the computer keyboard - always willing to lend a paw or two!
Posted on May 13, 2015, in dialogue, Writing & Self Publishing and tagged books, CreateSpace, dialogue, Dragomeir Series, dragons, fantasy, fiction, indie author, indie authors, Maria Murnane, self publishing, solitaire parke, The Emerald Dragon, writing. Bookmark the permalink. Leave a comment.
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