Category Archives: author questions
Essential Tips for First-Time Authors
I think the most important first step is to ask yourself what kind of book it will be. Fiction, non-fiction, historical, horror, science fiction, fantasy? Before you can get started, this one question needs to be answered before it’s possible.
Regardless of age, life experience will play a part in what you decide to put to pen, but it will be infinitely easier if you write about what you know. Speaking of pens, how do you see yourself punching away at this new endeavor? Pen/pencil and paper or with a computer? Whatever happens to be within your grasp will be where you start but don’t let it stop you from working toward your dream. If you choose a computer, then the next decision will be which piece of software to use. So now we’re talking about what your budget looks like, and there is some good news. Free software is available to help get you started in lieu of purchasing Microsoft Word or other writing software. Do the research and find out which will be the best fit for you.
The next decision is what type of book are you seeing in the mind’s eye? A short story, a novella, a novel, or a compilation of novels making a series of interconnected characters? Figure that out and your task will be made easier.
With each book you write, expect there to be a huge amount of research before the smoke clears on your finished work. If you write about what you know, there will still be research to perform because none of us knows everything about any given subject.
The next question revolves around preliminary functions like an outline of where the book will be going from chapter to chapter, or do you really need one? From author to author this one question has a variety of responses and none of them are wrong. Some of us use outlines or storyboards, some of us don’t. Whichever way you go, write a lot.
I’m a proponent of critical thinking, and the long and short of that boils down to who, what, why, where, when, and how with every page you write. I call them the six deadlys, and you’ll get sick of asking the same questions every day of your writing career, but there’s no living without them. The day you stop asking these questions is the day mistakes will overtake you.
Talk frequently to friends and family about your book prior and during the writing process. It will help you to stay fresh as they give you added spark and suggestions talking about your project.
Read more than you write. Select books from other authors with the same genre and compare what you’ve written with what you’ve read. It will help the number of potential errors before they happen.
Research which titles have already been used and stay away from repeats whenever possible. Look for ways to make your story different, thereby making it stand out from the rest of the stories within the same genre.
Last, but certainly not least, know what your audience is looking for and stay within those parameters. If it’s a child’s book, stay away from adult concepts and write to the age level of your audience.
These are some ideas that might be helpful to a first-time author. There are many more things that I wish I had known when I started writing. I recently created a book that might help you to avoid some of the mistakes that I made along the way and make your path a little easier to get your works published. If you’ve always wanted to write a book and get it published, this will instruct you how to accomplish your dreams of being an author. Good luck and have a great writing experience! Click here for The Triple Threat.
Solitaire
6 Questions Writers Often Ask
What’s the difference between a story’s “hook” and the “inciting incident”?
The “hook” of the story is just the opening sentence or paragraph that attracts the reader’s attention and fires up their curiosity to keep reading further. An example would be someone running for their life, looking up at the sky and seeing something unusual, a dead body being found in a boathouse, a huge explosion, or anything that creates an urgency for the reader to want to discover “why.” The actions or emotions create an urgency to find out the backstory or motivation behind what is happening.
The “inciting incident,” is the key event in the main character’s life that gets their story moving forward. It sets them on a journey that continues throughout that character’s life, literally causing them to take some action to try to restore balance or stability. For example, in The Wizard of Oz, the tornado that spirits Dorothy away to Oz is an inciting incident. It motivates her need to do everything she can to return home. In The Mysterious Island, a mega storm causes an air balloon to crash on an island. The passengers are then in survival mode which ultimately motivates them to find a way off the island and back to civilization.
Is it okay to eliminate “he said/ she said” when there are just two people talking in a dialogue?
This is a question that I considered in my writing. The answer is, yes. If just two characters are talking, the dialogue tag can be omitted. It all depends on whether there is clarity for the reader. If it is obvious which person is speaking, no tag is required. However, sometimes several sentences of narration will come between lines of dialogue (for example, the point of view character’s thoughts). In that case it might be necessary to tag the next person who is speaking. Otherwise, the reader may not be sure which one is resuming the conversation. Clarity is the main objective here because we don’t want to lose or confuse the reader.
Is it a good idea to use a Prologue?
Many bestselling authors do start their books with a prologue – but keep in mind that these authors have established a large readership who will buy their books regardless of style. That being said, if you need to let the reader know information that is not in the novel, set up the main story, or jump into the middle of a story without having to set a scene or explain main events, you might need to have one. If the understanding of your story is not damaged in any way, then you probably don’t need one.
What if I can’t find the genre of my story? Is “literary” a genre?
If your story does not fall into the broad popular genres (Mystery, Thriller, Romance, Science Fiction, Fantasy, Horror) yet is still popular fiction, it is often referred to as simply “mainstream fiction.”
How long should my book be?
From a publishing standpoint, it doesn’t matter how many pages you’ve written. What matters is word count. Any publisher or agent will want to know how many words you’ve written, not how many pages. Below is a quick cheat-sheet on word count.
Flash Fiction: Generally, up to 1,000 words.
Short Story: 1,000 to 20,000 words
Novella: 20,000 to 80,000 words.
Novel: 80,000 to 100,000 words. This is the sweet spot.
Science Fiction or Fantasy: Can be over 100,000 words, but the content should be strong enough to warrant the size.
While you may come across different schools of thought on these word counts, consider these numbers an average of industry standards.
The important thing is to enjoy writing and flexing your creative muscles. Each of these pieces will fall into place as the process evolves for you. Focus on your work first, then worry about the rest.
Solitaire
Solitaire Parke - Sci-Fi/Fantasy Books 